Relaunching the Laura Ashley quilt

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I have had a new lease of life with my Laura Ashley project.  My huge Body Shop/Anita Roddick quilt has finally gone to its new home and this seems like a good time to make a start on the large Laura Ashley piece.  As ever it will be made in panels because this is only way I can manage something as big and heavy.  I will post pictures of the other panels I have soon, but wanted to show you a finished one based on the outlines of clothes.

So many of the scraps that I stared my patchwork career were fents – the bits that are leftover from cutting out pattern pieces – that they keep on creeping into this project.  This is a page from a sketchbook project where they re-emerged:

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This panel is all hand-stitched and I had a good time manipulating the fabric using a kantha type stitch which relies on running stitch in parallel rows to ripple the fabric:

IMG_0824And you can really see the effect of the variegated thread.

I also really enjoyed using stem stitch.  I have never been able to do this until I got a lesson from the fantastic Tanya Bentham.  I love in this picture – where I am playing with the idea of the red thread which binds us all together – the way that the stem stitch sits on top of the kantha-y stuff:

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Really, though in this post, I just wanted to post some pictures taken in very strong sunlight.  One reason is that this is so rare.  It is dark, cold, grey and wet here, so a crisp sunny day is a real luxury.  I have posted before, however, about how much I love to photograph my work when there are strong shadows and contrast.  I love it because in close-up (with the wonderful new camera) the textiles take on a sculptural look:

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I will post a bit more about this panel, but I know that some people read my blog on Sunday afternoons, and I wanted to have some nice pictures for them.

 

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