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After a recent blog, a friend asked me if I were being sponsored because I mentioned brand names and suppliers so often.  She meant it as a joke, but I started to think about why I do usually say where I sourced things from.  I came to the conclusion that it is because so many craft blogs and pages I read are American.  They have fantastic craft superstores such as Joanne’s and Michael’s where there are endless choices and low prices.  We just don’t have an equivalent.  Hobbycraft is okay, but is often out of stock.  So, I tend to say, particularly if it is a high street chain, where I found things.  It’s really frustrating if you want to make something and can’t get the materials.  If you do go to Etsy or to a US website you can end up paying double in postage and customs and handling charges, which makes a cheap item quite expensive.  I try and put things on here that people could have a go at and could find the equipment for if they wanted.

Having said all that, if Tiger,  Marimekko, IKEA or Bernina, Madeira or  Liberty do want to sponsor me, I am more than willing to talk.

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Cossacks for Christmas

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I can’t imagine that many of you  are interested in my Christmas decorations, but just in case you are, here we go.  This year they are minimalist to say the least.  I have had a lot going on and putting up trimmings seemed way down the list of priorities.  But I did get round to making and putting up these gentlemen.  They are dancing cossacks.  I would like to tell you that they are my design, but they came from a book called Homemade Christmas, (which is very cheap on Amazon):

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It doesn’t seem to have an author, but it does have a number of surprisingly nice looking things to make.  The author, whoever it is, as no author is credited, made their cossacks out of old book covers, but I thought it would be a good way of using up gelli-printed papers that I had done myself:

 

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I rather like the way that the printed paper for his face makes him look like he is rather keen on the vodka, or doesn’t use a good enough moisturiser in all that cold weather.

I also used some painted paper:

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This one has jewelled brads or paper fasteners on his joints.  Finding paper fasteners, which are those split pin things with the round heads that you push through papers and then open out, turned out to be one of the hardest parts of the project.  I had to go to the internet to find them.  Clearly the paperless office is becoming a reality.

After I had made a couple of cossacks, it occurred to me that this might be a really good use for some notecards the Medieval Historian gave me a couple of years ago.

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So I had quite good fun fussy cutting bodies to get a good cover image on the chest:

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I also liked picking the most un-Christmas-y titles such as this:

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Nothing like a nice Ballardian dystopia to set you up the festive season.  We also have Lady Chatterley’s Lover as a nod to my home town.

Then I remembered that I had bought some Marimekko notecards as I love the graphic designs and clear colours:

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Both of these worked brilliantly which makes me thing that you could do it with any postcard:

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This one is decorated with washi tape.  This one is fussy cut:

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In the book they are strung to work as jumping jacks, but I like them just as posable figures.

In the end I made twenty-five of them and they dance around the room suspended from the picture rail.  So quite a lot of cutting, punching, sticking and stringing, but I think that they make quite a smart decoration, even for people, mentioning no names, Medieval Historian, who claim not to like Christmas.